"A mother noticed that the boy preferred emptiness to fullness. She would say that emptinesses are bigger and even infinite." Manoel de Barros.
Contrast gives rise to emptiness. Exactly through existence, nothingness emerges, imposing, as a frame for the brutalist, simple, and pure form. An ode to absence, this invisible element that corrodes the gaze. The Void Armchair is formed by metal sheets that, when folded, draw with light and shadow. Warm cutouts on a cold surface. Comfort where solitude could be imagined. A habitable sculpture. For all these characteristics, the Void Armchair never passes as a hidden subject. Whether as a armchair or a work of art, it stimulates observation, invites touch, and surprises skeptics.
